Discussion: Magical Realism
Jun. 14th, 2009 11:40 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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Actually, I had a Zinfandel.
So. Our discussion could be detailed as such:
a) What is magical realism?
b) What distinguishes magical realism?
c) Who gets to use the term magical realism?
Read my writeup of our attempts to answer these questions under the cut:
Disclaimer: IANALS (I am not a literature scholar). I read pulp fiction, the kind with half-naked, sultry temptresses with guns or seducing poor schmucks on the cover. Also, I enjoy (because I'm a masochist) mainstream superhero comics. This ain't gonna be anything that's fit for reprinting in a journal, let me tell ya upfront.
a) What is magical realism?
Fuck me, I don't know. And you know, I don't think there's any shame in admitting that. In our discussion we were loss for a concrete definition for what is considered magical realism. And
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With much ignorance, I said I felt it was something exclusive to writing, but according to Wikipedia (that bastion of truthiness and factual understanding) it term was first used by an art critic to describe a painting style that is very realistic (something called Neue Sachlichkei, or New Objectivity).
I think
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But damnit, I hear you cry, give me a definition! Alright, I'll give it the old college try: magical realism are works that involve realities that are as much influenced by myth and fantasty as confined by the recognisable rules we live by. How was that? I think critic Luis Leal says it best when he says, "if you can explain it, then it's not magical realism". You'll know when you read it if it's magical realism. Not satisfied? Feel free to give me your own definition :)
ETA:
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b) What distinguishes magical realism?
See previous paragraph. This was a tough one. Where to draw the line between fantasy and magical realism? Or surrealism? You get the drift. Plus, since the term originally referred to paintings, can there be an equivalent in cinema? Shit, I had thought frantically at this point, where does it end? Make the definition too narrow and you may miss out on spectacular works deserving of more acclaim. Make it too broad and all of a sudden the Harry Potter series is included.
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Novels
The Enchantress of Florence, Salman Rushdie
One Hundred Years of Solitude, Gabriel Garcia Marquez (broke my own rule, I know, grumble grumble)
The House of the Spirits, Isabel Allende (btw how disappointing was the movie adaptation?)
Like Water for Chocolate, Laura Esquivel
The Mysterious Flame of Queen Loana, Umberto Eco
Master and Margarita, Mikhail Bulgakov
Fama o biciklistima (The Fuss/Rumours About Cyclists), Svetislav Basara
Journal on the Minotaur, Dragan Orlović
The Brief Wondrous Life of Oscar Wao, Junot Diaz
The Passion, Jeanette Winterson (thanks,
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Tropic of Orange, Karen Tei Yamashita (thanks,
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Sorry, S! I've forgotten some of the examples we had. If anyone has a rec, please comment and I'll add them to the list. The goal would be not to judge other books by what we've compiled but to see why they are termed magical realism.
Also: the movie Pan's Labyrinth. Gothic fantasy, or would it fit comfortably in the above list?
c) Who gets to use the term magical realism?
I want to be a snob and say it's all a marketing gimmick. A good story is a good story, full stop. Yeah, but if that were the case I wouldn't get all riled up about people calling Frank Miller's Sin City 'noir'.
Uh oh, I hear you say, her and Frank Miller again. This is not going to end well.
Let's use another example, then. Years ago JK Rowling said in a Time magazine article that she didn't realise after the first Potter book that it was a fantasy novel. Terry Pratchett countered that by saying, "I would have thought that the wizards, witches, trolls, unicorns, hidden worlds... would have given her a clue?" When my friend heard of this, she was fuming and wondered whether Rowling realised that not only had she written a fantasy, the series was part of the sci-fi world too. My reaction to the entire thing: a shrug and a witty remark to change the subject (I believe it was about a beaver and a dam). In retrospect I'm kinda iffy on the Potter series as science fiction, but I'll leave it to those more learned than I.
Obviously we readers grow very attached to the labels, and become very vocal if we think something is miscategorised by publishers. The book Coraline, S and I agreed, was distinctly gothic and straddled the line between fantasy and horror. Amazon.com's review even called it a fairy tale. But my recollection was that it was marketed as a Young Adult novel. I was then quite surprised at last year's Comic-Con to hear that people in their twenties were excited for the movie, thinking it would only attract the attention of teens. When I asked my Neil Gaiman-obsessed friend what she would call the book, her voice did not falter when she said simply 'fantasy'. Many would agree with her.
But what if an author/agent/publisher/Paula from marketing sincerely believes their work belongs in a certain section? Like Twilight in fantasy, when many believe it ought to be in the compost bin har de har har (remember to recycle kids!). Who is right, the source of the text or the readers?
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Point is, as a writer you have to be careful about the expectations readers may have with the certain terms. Especially with something like magical realism that's still fresh and new to our North American palates.
That's... pretty much all that comes to mind from our hours-long talk about magical realism. I hope some/any of this blather has inspired anyone to go and pick up a book from the list, or even google the term. Or at the very least, now have some very interesting material to make fun of me with.
no subject
Date: 2009-06-16 06:48 am (UTC)Hee, I'm glad to read people are responding to something even as boring sounding as this discussion of magical realism.